Dominic Nahr

The Collapse of Rojava (II)

Issue 11
Syria
ISO 800, 1/500s, f/7.1
43 mm
APO-SUMMICRON 1:2/43 ASPH.
LEICA Q3 43

Part two of Madness Travel. I headed into one of the most isolated corners of Syria. A place that functioned like a state but was never one. Rojava. I reached Qamishli just as the structure that held it together began to collapse.

ISSUE 11

ISO 800, 1/500s, f/16
43 mm
APO-SUMMICRON 1:2/43 ASPH.
LEICA Q3 43

Standing at the last front line: the final stretch of road held by the Kurds before the Syrian government positions. No cars now, just dirt roadblocks. These were the last days of autonomy.

ISO 6400, 1/60s, f/2
43 mm
APO-SUMMICRON 1:2/43 ASPH.
LEICA Q3 43

I used the brake lights from waiting cars to light them, with the headlights ahead. It all came down to pacing—letting the line build while I waited for the exact mix of red and shadow.

A crate of supplies at a frontline shelter: a few pomegranates, some grapes, and ice packs. There was heavy fighting nearby just a few days ago. In isolation, this is what they had to get by with.

ISO 3200, 1/250s, f/3.6
45 mm
VARIO-ELMARIT-SL 1:2.8-4/24-90 ASPH.
LEICA SL3
ISO 1600, 1/125s, f/2.8
43 mm
APO-SUMMICRON 1:2/43 ASPH.
LEICA Q3 43

I was focused on the fighter sitting on the sofa, that sniper rifle on the left, and the mood. Then the other fighter stepped in to grab his rifle—and I caught it. Sometimes, it’s just holding the frame and let the moving parts come to you.

This is the front line. You could feel support had faded. It really felt like they were left to face it alone.

Continue reading

This story is for subscribers of Dominic Nahr.